Alex Sepkus
The dearth of raw material in his native Lithuania compelled Alex Sepkus to make very small pieces, often working under a microscope. He developed a style that was half painting and half sculpture. He often included inscriptions in miniature. The results, he remembers, might better have been called “tiny, wearable art” than jewelry in any conventional sense of the term. His pieces are unexpectedly stunning, vibrant and invite the wearer to enter the mind of the artist.
Sepkus 1
Sepkus 2
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